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ARTIST/DESIGNER/BUILDER
Ca=
meron
J. Smith
61=
8-687-3791
EDUCATION
MFA &n=
bsp; 1988
MA 1985<=
span
style=3D'mso-tab-count:1'>
BA &nb=
sp; 1983
AA 1980
PROFESSIONAL DEVELOPMENT
1978 &=
nbsp; Kim
Newcomb-Glassblowing
1977 &=
nbsp; Dick
Marquis-Glassblowing
1976-77 &=
nbsp; Fred
Olson-Ceramics
PRIVATE STUDIOS
1996 to
present =
1990-1992 &=
nbsp; Coyote
Moon Art Farm
1986-1990 &=
nbsp; Sculptur=
ed
Art
1979-1986 &=
nbsp; Glass
Heart Works
1975-1979 &=
nbsp; S
& S Studio
TEACHING EXPERIENCE
2000 to present
Hot Shop Director,
1997-1999 Adjunct Instruct=
or,
1996 &=
nbsp; Raku Tile Worksh=
op,
Cobden/Grand Tower, IL
1996 &=
nbsp; Hands On Raku Wo=
rkshop,
1995 &=
nbsp; Raku Tile
Workshop,
1987-1986 Beginning Cerami=
cs,
1986-1983 Hot Glass Worksh=
op,
Glass Heart Works,
COMMUNITY SERVICE
1997 to 200=
2 -
President and Facilitator for Attitudinal Healing Center of
&=
nbsp; 2001 Arts in Transit, MetroLink
Station, ST.
&=
nbsp; &nbs=
p; (Project cancelled budget constrain=
ts)
&=
nbsp; 2001 Southern
GRANTS a=
nd
AWARDS
&=
nbsp; 2006 Administrative
Counselors’ Award, Cedarhurst Art Fair
=
2005 Best of Glass, Edwards
Place Fine Art Fair
=
2005 Achie=
vement
in Art, Midsummer Art Fair
=
2004 Best of Show, Cedarhurst
Art Fair
&=
nbsp; 2002 Best of Glass, Cedarhurst
Art Fair
&=
nbsp; 1998 Honorable Mention,
Ozark Craft Show
&=
nbsp; 1998 Honorable Mention, Show
Me Yours
&=
nbsp; 1996 Southern
&=
nbsp; 1995 Positive Youth Developm=
ent
Grant
&=
nbsp; 1995
&=
nbsp; 1988 Purchase Award,
Small Works
PRIVATE AND PUBLIC COLLECTIONS
 =
; &nbs=
p;
&=
nbsp; &nbs=
p;
&=
nbsp; &nbs=
p;
&=
nbsp; &nbs=
p; Virginia
and Ralph Litherland,
=
&nb=
sp;
Ann Karmos,
&=
nbsp; &nbs=
p;
&=
nbsp; &nbs=
p; Jay
and Sharon Hyma,
&=
nbsp; &nbs=
p; Smith
Farms,
&=
nbsp; &nbs=
p; Dr.
William Northrup,
EXHIBITIONS AND EVENTS
One-Person Shows
&=
nbsp; 1997 One Year Later,
&=
nbsp; 1997 Artapult Day, Defen=
ding
the Northern Border,
&=
nbsp; 1996 Second Artapult Day=
,
&=
nbsp; 1995 Kinetic Sculpture Race<=
/b>,
&=
nbsp; 1995 First Artapult Day,=
&=
nbsp; 1987 Influences, Feelings and St=
uff,
&=
nbsp; 1986 Artists That Work Together<=
/i>,
Gallery 318,
&=
nbsp; 1985 Things I’ve Made<=
/b>,
&=
nbsp; 1984 A Confinement of Space<=
/b>,
Gallery 318,
Group Shows
 =
; 2004 ArtWorks in Schools,
2002 T=
he
Cutting Edge, Maiden Alley Cinema Gallery,
 =
; 2002 People
‘s Art Show,
 =
; 1998 Show Me
Yours,
&n=
bsp; 1998 =
; SIU Faculty Art Show,
 =
; 1998 Ozark
Crafts Show, Associated
Artists Gallery,
 =
; 1997 Crossing
Boundaries, The
 =
; 1997 Associated
Artists Gallery Open, Associated Artists Gallery,
&=
nbsp; 1997 People ‘s Art Show,
&=
nbsp; 1996 Restrooms, Public & Pri=
vate,
&=
nbsp; 1995
&=
nbsp; 1995 Walk Through the
&=
nbsp; 1992 Ozark Crafts Show,
Associated Artists Gallery,
&=
nbsp; 1991 Glass Works, Main
Gallery,
&=
nbsp; 1991 State of
&=
nbsp; 1991 Masquerade IV, Wick=
man
Hill Gallery,
&=
nbsp; 1991 Klamath Juried Open=
,
&=
nbsp; 1991 Ceramics Now 1991, =
&=
nbsp; 1990 Masquerade III,
Wickman-Hill Gallery,
&=
nbsp; 1990 Emerging Artists,
Cogley’s
&=
nbsp; 1988
&=
nbsp; 1988 Small Works,
&=
nbsp; 1985 2 X 2 By Twenty-Five,
Gallery 318,
&=
nbsp; 1983 Clay in
&=
nbsp; 1983 Clay, Guggenheim Ga=
llery,
CA
&=
nbsp; 1983 Farm Fresh,
&=
nbsp; 1982 Serious Stuff,
&=
nbsp; 1981 One Piece Show, Exit
Gallery, Cal-State,
&=
nbsp; 1977 State of
&=
nbsp; 1976 Touch of Glass,
|
PAGE=
|
Cameron J. Smith, p.4